Anyone who’s seen him perform knows that Bruce Springsteen is a master at improvisation.
One of his most iconic album covers, the 1975 rock epic Born to Run, was also completely uncoreographed. It was shot on the fly in June of that year, as he and The E Street Band were wrapping up production on the record that would change their lives.

Bruce had a grand vision for the cover of his ambitious third album when he and saxophonist Clarence Clemons arrived at photographer Eric Meola’s Manhattan studio. But the exhausted musicians, burnt out from months of all-night recording sessions, deferred to Meola’s candid approach.
In a 2011 blog post detailing the shoot, Meola reveals, “Bruce had prepared for the shoot, and brought along his ripped T-shirt and various props and talismans.” The photographer goes on to reveal that the black leather jacket Springsteen wears on the cover was given to him by his former manager and producer, Mike Appel.

With the help of a box to compensate for the seven inches Clemons had on Springsteen, Meola captured a charismatic moment when the singer-songwriter glanced adoringly at his friend, whom he considered to be the soul of his band.
It ended up becoming the album cover, with “The Boss” on the front and “The Big Man” on the back. Everything about the album and its cover, including the gifted leather jacket, became iconic.