Even for those who don’t know it by name, the Aeron chair’s look and feel are intimately familiar to anyone who’s ever worked in a corporate setting.
Designed by Bill Stumpf and Don Chadwick and launched in 1994, it essentially invented the modern ergonomic office chair category by introducing a breathable, adaptable mesh suspension instead of foam cushions, a PostureFit system that supported the sacrum, and a size range that acknowledged the physical variations of the human body.

But despite its many configurations and tweakable settings, the chair’s aesthetic options have, for almost all of its 30-year history, remained almost radically conservative.
Now, after decades of dominating everywhere from corner offices to reception lobbies, Herman Miller has finally evolved the Aeron’s looks in a way that feels long overdue.
A new design dabble

Even though the original design has the prestige of being officially included in the Museum of Modern Art, Herman Miller deserves credit for its willingness to evolve the chair to maintain its innovative edge.
In 2016, the original was replaced by a Remastered edition that introduced a litany of core upgrades, including improved materials, a wider height adjustment range, improved tilt, and more armrest adjustment options.
Yet colorful versions, complete with a coloring-matching frame, have never been available until now.









